The Tui is one of New Zealand’s most iconic birds. Sharp, smart and vocal, he can be found in forest, open coppice country, parks and gardens. He is the largest of our honey eaters, his long, curving beak ideal for reaching into the throats of flowers of all kinds.
The Tui has 2 voice boxes – one attached to each lung – and he can produce an amazing variety of sounds in fast succession and overlapping one another. These sounds include carillion calls, sneezes, bursts of song and explosive ejaculations that are completely beyond description.
He is a mimic, and can be taught to talk, as the Maori soon discovered. His flight is fast and he flies in short, energetic bursts, punctuated by a drumming sound produced by a notch in the front of the 8th flight feather of each wing. You can certainly hear him coming!
The use of the term ‘friends’ here is euphemistic. The Tui is a dominant bird, highly protective of his nesting sites and food sources. Because at this stage I have no bird feeders here, I don’t know what the pecking order is between the Tui and the imported Indian Mynah (a rather forceful bird), but I suspect the Tui has the edge.
This is part of one of the 36 illustrations I painted for the book Taketakerau The Millennium Tree published in 2012. The whole picture shows a Maori and his young son exploring the forest on arrival in Aotearoa.
The birds shown here are completely fearless of the strange beings invading their world. But since birds soon became a major source of food for the Maori immigrants, that situation did not last for long!
The birds in the picture are – Tui (Prosthemadera novaeseelandiae) in the centre and around him, anticlockwise from the top right, Fantail, piwakawaka (Rhipidura fulginosa); Grey warbler, riroriro (Gerygone igata); Tit, miromiro (Petroica macrocephala); North Island Robin, toutouwai (Petroica australis).
The tree is the Shining Broadleaf (Griselinia lucida), often found as an epiphyte on larger forest trees.
For more details about this picture, c;lick on the image – and check out the remainder of the book illustrations at Taketakerau.com .
Geology and the passage of time…
The volcano that once existed here is sleeping now. The scorching fires have long since died away, and the battered earth has drawn a cloak across its scars.
The subterranean pipes that carried searing hot magma from the earth’s fiery core remain: embraced now by powerful, living roots that grip and swell around them.
Where once a crater stood, a wild tree grows. Tucked away in bolt-holes far below, by day the kiwi sleep.
Yes, there are 2 of them there.
Acrylic on Arches Dessein 120 gsm art paper, 19″x 25″.
For more details, prints and products, click on the images.
It has won 3 recognitions, including an Ashton Wylie Award, and it’s currently listed in 4 finalists in the Non-Fiction category of the NZ Post Children’s Book Awards. The author is Marnie Anstis of Opotiki.
I am gearing up for 2 days’ presentations in Whangarei next week at the Whangarei Public Library and at some schools – Wednesday 19th and Thursday 20th June. There will also be a book signing at The Strand, Cameron Street, Whangarei at noon on the Thursday.
Then on the Sunday I fly to Christchurch for the NZ Post Children’s Book Awards ceremony on 24th June at Addington Raceway.
I painted 36 illustrations for the book. They are all gallery-style artworks, size 15″ x 20″, and if you’d like to see more, you will find them at http://taketakerau.com
The book tells the story of a 2000 year old puriri tree at Opotiki, starting from its germination in the primeval forest, and following through its life as a home for the many birds in the forest, the arrival of Maori settlers, the arrival of men from Europe, and major developments in New Zealand and world history. The two streams of history are arranged with a timeline so that the unfolding of world events parallels the unfolding of events in New Zealand.
I was honored by a special award from the NZ Children’s Art House Foundation, as the Artist who in 2012 did most for children. It was a wonderful tribute, because children had a major part to play in selecting the winner of this award.
All through the work on the book, my main underlying concern was to make the illustrations a treasure house for children to explore, What a great validation of 12 months’ solid work.
This gets exciting!
He was a versatile writer, his most popular works being “The Flight of the Phoenix”, and the Quillar and Hugo Bishop series, both under the pseudonym Alex Hall. He was born Trevor Dudley-Smith.
When he died in Arizona in 1995, his obituary in The Independent described the Quillar novels as “best-selling, tough and suspenseful spy thrillers with a distinctly noir-ish edge, featuring an ice-cold killing-machine, or “shadow executive”, called Quiller”. Furthermore –
“During the 1950s Trevor was one of Heinemann’s star popular authors. Along with Nevil Shute, the Americans Erle Stanley Gardner, Erskine Caldwell and Frank Yerby, the Australian Arthur Upfield … and the incomparable Georgette Heyer. At one stage a short Authors At Home promotional film was shot at Trevor’s home in Roedean, near Brighton, where he was glimpsed at his typewriter, and flying kites and racing miniature cars, both hobbies he followed with enthusiasm.”
Children’s Books Too
It’s hard to believe that at the same time this man was also writing delightful children’s books -about 25 kids’ books in all. And along with many other youngsters I loved and read them. “By A Silver Stream” and “Heather Hill” are two I’ve managed to get hold of again so far. But prices are high:
These were akin to “The Wind in the Willows“, based around themes of humanized small animals, but with a kind of pioneering twist. There are no psychological ‘Toad’ dramas here (thank goodness) – no Toad in fact, although there ARE venerable badgers, wise owls, excitable field mice, frogs, rabbits and peaceable moles. There are challenges though, of the kind that would appeal to any child with a practical bent – resettling a community deeper in the forest to avoid confrontation with man, building suitable houses, laying on water pipes, finding resources and transporting them home, making boats and gathering supplies for any job on hand. And above all, these stories are told with a wonderful, dry humor that brings the characters and amusing events to life.
They are well illustrated, mainly with a single full-page illustration and numerous smaller sketches throughout. “Into A Happy Glade‘, “By A Silver Stream“, “Deep Wood“, “Heather Hill” and the “Wumpus” series stand out in my memory. W A Ward (for “By A Silver Stream”) and David Williams (for “Heather Hill”) were the illustrators whose work is shown above.
These books are hard to come by now, but they still have some ardent followers – especially in the UK. For many youngsters of the era, they formed the basis of a lifetime’s love of animals and nature.
I’ve collected together the only available Reviews of Elleston Trevor’s Children’s books from Amazon.co.uk – because I believe these books have something that’s often lacking in today’s children’s story offerings. Check them out they are all together on one page!
Briefly, I was born an Army child in Derby, England, traveled about, and now live in New Zealand. Having trained and worked as a lawyer, I’m at last refocusing my life on what I’ve been secretly doing all along – art.
The journey so far has taken me from England to Scotland, to Africa, and now New Zealand. Through it all, art underpinned and sustained me through a heap of stuff – I’ve been grateful for that.
Now, this exercise of putting down on ‘cyberpaper’ the journey that brought me to where I am as a person and an artist is helping me rediscover myself after ‘losing’ ten years of my life caring for my elderly mom with Alzheimers. I’ve come away with no regrets for giving that time, and at last it is being returned to me. Here, if you care to check out some of the struggles of being a carer, is my account of the process written while in the thick of it – The Alzheimers Carer.
This blog is in a sense its own fulfilment, though like my art it does have a definite message of love and respect for our wonderful planet and the creatures that inhabit it with us – we have severely misused both.
If anyone cares to join me in this journey, I shall be truly honored. For my main Home Page that links and knits together all my websites, click HERE.
For a time warp journey to my last project, visit Taketakerau.com which features the 36 major paintings I created for a recently-published book about the nature and history of New Zealand.
Showcasing the Paintings, Sculpture and Jewelry of a multi-talented New Zealander with a love of nature and a background in – of all things – the law.