Believe it or not, there is a connection between this post and the last one about Mount Ngauruhoe and Tama Lakes. Let me explain.
Even today, Manet’s “Déjeuner sur L’Herbe” it is not what one would call a ‘comfortable’ painting, and maybe it was this element of unease that moved me a few years ago to create a modern version, setting the characters in a landscape of the future, when our pesticides, herbicides, GMOs and climate change have finally completed their deadly work.
The intervening years haven’t altered my perspective on this small painting, and I hope it conveys to others what it spoke to me as I created it.
Manet’s “Déjeuner” caused a sensation when it was exhibited. The painting was rejected by the Salon in 1863 so in the same year, Manet took the opportunity to exhibit it in the Salon des Refusés. Even in that venue, it caused an uproar, mainly from the fact of two women – one scantily-clad and the other naked – dining out in the woods with two fully-clad males. As I said above, the painting is still a little unnerving, even 150 years later, when we are much more ‘enlightened’.
The subject of this post is only a small sketch – about 7″x5.5″ – done at a time when I lived in Wellington and our Central North Island Plateau was very much a reality to me. So I placed the scene in that location, What made the fit for me was the desert quality, and the power pylons and lines.
Our State Highway No 1, which runs the full length of both islands, passes along the eastern edge of the Central Volcanic region. This is the Rangipo Desert. Between the road and the mountains runs the main power trunk line – carried on pylons which can be a pain when taking photographs. On this stretch, the road has a special name – ‘The Desert Road’. It’s very hot in summer and in winter it can often be closed altogether due to hazardous snow and ice conditions.
Bear in mind that when this painting was done, there was much less appreciation of the environmental impacts of many things that were used thoughtlessly. We are a little more aware today – though maybe too little too late.
So there we are at ‘déjeuner’: taking our leisure. Three of the little group of characters are still there – still lingering over luncheon and apparently oblivious to the gradual change that has taken place around them. Still socializing, in spite of the circumstances.
There is no grass underfoot. There are no shady trees left in the park, only the march of power pylons. There’s no longer any need for shady trees, because the sun’s rays are taken care of by the clouds of pollution overhead.
Party on …
It has won 3 recognitions, including an Ashton Wylie Award, and it’s currently listed in 4 finalists in the Non-Fiction category of the NZ Post Children’s Book Awards. The author is Marnie Anstis of Opotiki.
I am gearing up for 2 days’ presentations in Whangarei next week at the Whangarei Public Library and at some schools – Wednesday 19th and Thursday 20th June. There will also be a book signing at The Strand, Cameron Street, Whangarei at noon on the Thursday.
Then on the Sunday I fly to Christchurch for the NZ Post Children’s Book Awards ceremony on 24th June at Addington Raceway.
I painted 36 illustrations for the book. They are all gallery-style artworks, size 15″ x 20″, and if you’d like to see more, you will find them at http://taketakerau.com
The book tells the story of a 2000 year old puriri tree at Opotiki, starting from its germination in the primeval forest, and following through its life as a home for the many birds in the forest, the arrival of Maori settlers, the arrival of men from Europe, and major developments in New Zealand and world history. The two streams of history are arranged with a timeline so that the unfolding of world events parallels the unfolding of events in New Zealand.
I was honored by a special award from the NZ Children’s Art House Foundation, as the Artist who in 2012 did most for children. It was a wonderful tribute, because children had a major part to play in selecting the winner of this award.
All through the work on the book, my main underlying concern was to make the illustrations a treasure house for children to explore, What a great validation of 12 months’ solid work.
This gets exciting!
Briefly, I was born an Army child in Derby, England, traveled about, and now live in New Zealand. Having trained and worked as a lawyer, I’m at last refocusing my life on what I’ve been secretly doing all along – art.
The journey so far has taken me from England to Scotland, to Africa, and now New Zealand. Through it all, art underpinned and sustained me through a heap of stuff – I’ve been grateful for that.
Now, this exercise of putting down on ‘cyberpaper’ the journey that brought me to where I am as a person and an artist is helping me rediscover myself after ‘losing’ ten years of my life caring for my elderly mom with Alzheimers. I’ve come away with no regrets for giving that time, and at last it is being returned to me. Here, if you care to check out some of the struggles of being a carer, is my account of the process written while in the thick of it – The Alzheimers Carer.
This blog is in a sense its own fulfilment, though like my art it does have a definite message of love and respect for our wonderful planet and the creatures that inhabit it with us – we have severely misused both.
If anyone cares to join me in this journey, I shall be truly honored. For my main Home Page that links and knits together all my websites, click HERE.
For a time warp journey to my last project, visit Taketakerau.com which features the 36 major paintings I created for a recently-published book about the nature and history of New Zealand.
Showcasing the Paintings, Sculpture and Jewelry of a multi-talented New Zealander with a love of nature and a background in – of all things – the law.