Geology and the passage of time…
The volcano that once existed here is sleeping now. The scorching fires have long since died away, and the battered earth has drawn a cloak across its scars.
The subterranean pipes that carried searing hot magma from the earth’s fiery core remain: embraced now by powerful, living roots that grip and swell around them.
Where once a crater stood, a wild tree grows. Tucked away in bolt-holes far below, by day the kiwi sleep.
Yes, there are 2 of them there.
Acrylic on Arches Dessein 120 gsm art paper, 19″x 25″.
For more details, prints and products, click on the images.
A few days ago, I cut down a heap of understorey bush known as kawakawa or pepper tree (Macropiper excelsum) and threw it in where the sheep were grazing, to be burnt when the time comes.
It is aromatic and very hot to the taste. I soon discovered the sheep will eat it – not entirely surprising because when I had my neighbor’s cattle in here some years ago, they also ate it.
It was highly regarded by the Maori people as a remedy both external and internal for many ailments – abdominal pains (especially digestive), rheumatic pains, toothache, kidney, bladder and urinary complaints, and as a blood purifier. As a poultice it was used for boils, bruises, eczema, toothache and badly infected wounds. In her book ‘Medicines of the Maori‘, Christina Macdonald cites a case that she knew personally of an old man who bound up the nearly-severed top of one of his fingers with kawakawa leaves – and the finger healed quite easily.
When used in steam baths, the effect was “stimulating, exciting the salivary glands, kidneys and bowels”.
Many Maori people still use it today, and I boiled up some leaves to try it as a drink – much more mild, warm, and pleasant-tasting than I had expected: definitely added to the ‘drink more often’ list! I’m about to try making a healing ointment out of it, too.
Branches were burned by the Maori to keep away insects from rows of sweet potato seedlings, and more recently by explorers, surveyors and hunters to keep mosquitoes and sandflies out of their camps. One asks – why are we messing with deadly chemicals when the Creator has made this stuff available to us? (And we all know the answer to that.)
The leaves of this plant are invariably covered with shotholes, and when I was illustrating ‘Taketakerau The Millennium Tree‘ I finally found out (after quite a bit of hunting) that these holes are caused by the nocturnal caterpillars of the Kawakawa Looper moth (Cleora scriptaria). You will find if you research it, that many people can tell you the holes are caused by caterpillars (big deal!), but it was hard in 2011 to find a source that would actually identify the species. There are far more illustrations of Cleora scriptaria on the net now.
Needless to say, though I’m surrounded by this stuff, I’ve never seen either a moth or a caterpillar in daylight. When I did the artwork for the book, I took the liberty of painting the moth on the leaves of the plant, in the subdued light of a storm.
Many people have commented how appropriate the use of this plant is for a painting entitled ‘Endurance’ that reflects on the long life and turbulent times of a tree now more than 2016 years old. See also http://taketakerau.com/painting32.html
Acrylic on Bainbridge board 15″ x 20″.
For prints, products and more details, click on the images.
I’ve been out of circulation for quite a few months – and there’s a reason for that. Back in late 2014 I was struck by a nasty disease called polymyalgia, which came close at the time to destroying my mobility. Fortunately, once diagnosed, the solution was revealed – prednisone.
Aaargh! Well I wasn’t entirely happy with that, but does one want to walk freely or not? In addition, it was causing mayhem with my blood – too many platelets, anemia etc. So my doctor put me on a modest dose of prednisone and over the period of about 18 months we tailed it back and achieved a recovery.
In the meantime, however, I had an accident and decided to go to a chiropractor (fortunately a very good one). I’d had chiropractic before because I have 2 curves in my spine, not helped by riding horses. So we entered into a process of sorting out these curves and re-stabilising my backbone.
I’d been quite depressed at the time of the polymyalgia – a mental state that was not helped by seeing all the things that needed doing round my 10 acre property and not being able to do a thing about them (physically or financially) – and so the obvious answer seemed to be to move away from this place, which I’ve been associated with for 47 years and have loved dearly. I’d even got to the point where I wasn’t interested anymore.
But things kept getting in my way – not the least being shortage of finances to get things tidied up for sale. On top of that I had a tree fall on my roof (damage? – oh yes!) and a second tree taken down because it was in danger of following suit. Fallout everywhere. Funds getting even lower. I seemed to be stuck in mud.
Then just before last Christmas, the tide started to turn. We began to win with the chiropractic. I’m now getting around my land as in the old days – and for the most part it’s steep and hilly – and working quite hard, if carefully. There are a few things I used to do and now cannot, but apart from that, the recovery is little short of miraculous.
I’ve decided to stay – how could I ever have thought of leaving? To keep my grass down I’ve taken on breeding rare breeds Damara sheep. My first 2 bought in early July are a Damara/Arapawa cross and her daughter. Both have had lambs to a Damara crossbred ram, and I now have a fullblood Damara ram also. So the headcount is currently 4 females and 2 males – and the lambs at 2 weeks old are a delight!
Below is one of my drawings of an Arapawa ram. This breed, now officially accepted as a Rare Breed in this country, came about by early explorers and whalers dropping off sheep (probably of merino origin) on Arapawa Island in Cook Strait – where they continued to breed. No doubt the motive was to provide a food source.
Initially they were regarded as game. Later they were marked for extermination, until their value as a gene pool was recognized and a sanctuary established for them on the island, all thanks to the efforts of Betty Rowe and her husband Walt. Now there are a number of breeders of Arapawa sheep throughout New Zealand.
Like Damaras, Arapawa sheep are shedders, and are naturally resistant to fly-strike.
So here we are!! Hallelujah!
For prints, products and more details, click on the images.
While on the subject of summer and the sea, here’s another Mighty Wallet design I’ve just released – Dolphin Fantasy, which shows 3 Dolphins flying through the air above a distant rural landscape / seascape.
This work started life as a wet-on wet acrylic, and after it dried I added the dolphins. I had been reading a book about dolphins, and that, plus frequent reports of the many pods that circle our coastline and visit holidaymakers and tourist boats, inspired this work.
As the painting came together, I realized these dolphins were in fact having fun far above the sea and land, and that added the extra spice of fantasy to this artwork.
Here it is on the Wallet:
A great breath of spring and summer to carry in your pocket! For more details, click on the images.
In the sidebar I have a link to the original artwork on Society6, where it is available as prints, iPhone cases, cushions and many more products.
This artwork inspired a design for a Dynomighty Mighty Wallet that’s most appropriate for the approaching Northern Hemisphere summer.
The location is on the coast about 20 miles north of here – a very picturesque fishing village where the street runs alongside the retaining wall above the beach.
Mature pohutukawa trees line the roadside, and cars can park in their shade and enjoy the vista of yachts anchored in the harbor and fishing boats going to and fro the adjacent wharf.
For the wallet, I homed in on the yacht and distant hills over the harbor:
Have a great summer!
Design collection at Dynomighty
I’ve just started designing for a site that produces awesome wallets. The Dynomighty Mighty Wallet® is tear-resistant, water-resistant, expandable and recyclable.
Made from Tyvek® (think express mail envelopes), these cool wallets resist tearing because of thousands of interlocking plastic fibers spun in random patterns, giving them incredible strength.
The ingenious origami construction was and is the original folded wallet made of Tyvek® designed by Terrence Kelleman. The stitch-less design reinforces the material’s own strength and allows these very slim wallets to instantly expand and adapt to your own personal storage needs. The Mighty Wallet® will expand right before your eyes.
This original artwork design is called ‘Flowering of the Universe‘. It pays tribute to the subtle threads that tie together all things, great and small…
Because of the slim, lightweight and water resistant features, you can take these cool wallets anywhere. They make great “night out” wallets for a slender silhouette and the writable surface conveniently acts as a quick note pad on the go.
Check out all my new Dynomighty Wallet designs HERE – and Be Mighty!
Design collection at Dynomighty
Here in New Zealand Christmas means high summer, and Christmas Dinner is often held on the beach, on a deck, or outdoors in front of a holiday home overlooking the sea.
We are fortunate in NZ because our beaches don’t get crowded, as in many countries overseas. Though beaches are not my ‘dream location’, I really do enjoy a beach that is deserted – a back to the wilderness type of thing. And I’ve got one or two fond memories of riding horses on beaches of this kind.
I created this painting after I moved away from Wellington, and I think the inspiration was the south Wellington coastline – Terawhiti with Makara behind – which also can be seen from the Inter-Island Ferry. As many will know, the Inter-Island Ferry crossing on a good day is a real treat, as the south Wellington coastline gives way to the fascinating convolutions of the Marlborough Sounds coast with its multitude of bays and inlets.
In this picture the atmosphere of the weather IS indeed benign, and if it were not for the lack of Pohutukawa trees lining the cliffs and flocks of sailing boats in the bay, it could well be the Bay of Islands, close to where I live now in what we euphemistically call ‘the winterless north’.
I think what makes this painting work so well is not only the composition, but also the colors. In a sense, this is a limited palette – but it doesn’t feel like that, and probably the muted, olive green shades have turned out to be the perfect foil for the rich blues and orange.
Acrylic on paper. For more details about the work, click on the images.