Mixed media artwork, around an acrylic painting Inspired by a glimpse from a train.
In my days working for government in Wellington, I used to come north at Christmas to visit my parents on the land where I now live. At first, travel by train was the only option I could afford, and the best option was the famous night train between Wellington and Auckland – ‘the Limited’.
On the return journey, I always awoke in time to see the majestic Rangitikei River with its sheer vertical ‘papa’ (mudstone) cliffs laid out below, as the train skirted the river’s course on high-slung viaducts. Truly spectacular!
There was another far less flamboyant vision that I always looked out for, though. As the train approached the northern end of the Tararua Ranges it was possible, if one kept one’s eyes peeled and the weather was favorable, to catch a peep into the mountainous interior of the Tararuas through a cleft in the hills.
One day, I kept my eyes peeled AND had a camera at the ready. The resulting Instamatic photograph, and several years of inspiration, formed the basis of this painting.
Spring showers in the Northern Tararua Ranges cloak the hillsides as the musterers and their dogs bring home the flock. Behind is a magical glimpse into the interior of the northern end of the Tararua mountains.
Based on an acrylic painting on canvas board, amplified with vector in Macromedia Fireworks MX.
For more details, click on the image.
Books about hunting – especially the anecdotal kind – frequently contain stories about mighty stags that were hunted by many men without success. Invariably they disappeared without trace – only to be seen again during the roar (rut) by the light of the full moon.
One can imagine these apparitions and the stir such a sighting would have caused among local hunters. No doubt the stories were told and retold around many a fire, especially in the old days when deer were more common (in New Zealand, anyway). In those days hunting was a regular pastime and passion – even for deer cullers who often complained of long weeks of loneliness in the bush, with bad weather thrown in to boot.
It is hard not to experience a shiver of excitement at the thought of a mighty stag who eluded all the hunters and who still stalks the night skies when the hinds are on heat and the moon is full.
Acrylic on Arches Dessein art paper, 160gsm 11.25″x 13.25″
For more details, click on the image.
In New Zealand, we call it ‘the roar’ – a time when young men’s fancies turn not to thoughts of love – not human love anyway – but to thoughts of bush stalking, cabins, tents, rifles, calibers, campfires and cameras.
For them, this is THE time of the year.
Very disappointing for the young maidens in their lives, but get used to it, it’s an immovable fact of life…
Original in graphite pencil, colorized in Photoshop. B/W version available HERE.
Click on images for more details.
Te Paki Stream in the Far North of NZ is famous for its wilderness, its massive sand-dunes and great boogie boarding. What a combination! Its breathtaking quality comes from isolation, plus a unique engagement between water and sand dunes, that produces the added danger element of quicksand.
The stream bed is part of the Cape Reinga round trip, and provides about 3.5 km of tricky driving. Both the stream bed and 90 mile beach are treacherous with quicksand, so unless you are very experienced in the locale and this type of driving it is better to make your journey by tour bus. The buses are a great ride with wonderful commentary and they stop in the stream bed to allow time for boogie boarding. It’s worth noting that car hire companies do not permit their vehicles to be driven on this route.
Of course it’s wonderful to visit these places under your own steam. So, there are walking tracks for the real outdoors types, which apart from the buses is the best way to go – at least you can be sure of still having a vehicle when you return to base!
The other great attraction of this trip is the Cape Reinga lighthouse, situated at the clifftop on what is almost the northernmost promontory of NZ, with the Pacific and Tasman seas on each side. Quite an experience to stand there and look out to where their waters mingle offshore.
Stream bed artwork painted in acrylic, with acrylic painted additions, including a maori fishing hook – matau. I just sold a tote bag with this design.
This is probably my best-selling artwork – ‘All Muscle – Red Deer Stag’, and it certainly encapsulates the power and majesty of the great Cervus elaphus species of deer.
It has consistently sold well – on iPhone cases and posters, mainly, and I’m really pleased that it has appealed so much to hunters and wildlife lovers. The world’s increasing fascination with technology needs to be balanced by reminding us of some real life, outdoors values.
The red deer species has a very wide distribution: “The red deer inhabits most of Europe, the Caucasus Mountains region, Asia Minor, Iran, parts of western Asia, and central Asia. It also inhabits the Atlas Mountains region between Morocco and Tunisia in northwestern Africa, being the only species of deer to inhabit Africa. Red deer have been introduced to other areas, including Australia, New Zealand, United States, Canada, Peru, Uruguay, Chile and Argentina. In many parts of the world, the meat (venison) from red deer is used as a food source.” (Wikipedia)
In New Zealand, red deer are the most numerous of our introduced deer species, and hunting is encouraged throughout the north and south islands as a control measure, since they compete heavily with native birds and mammals for our unique bush habitat.
In late October I sold 2 shower curtains with the ‘All Muscle – Red Deer Stag’ artwork. I believe they will grace and enliven someone’s bathrooms beautifully, and I hope they are much enjoyed and admired.
The greatest thing that comes out of these sales is not the money (which is precious little, in fact), but the knowledge that someone liked the work enough to want to live with it – or maybe give it away to a friend.