This artwork is built around a sculpture I made some years ago as part of a set of 4 pieces symbolizing ‘The Elements’, seen in the New Zealand context.
Fire is symbolized by the volcano, and water is ubiquitous in Aotearoa, the Land Of The Long White Cloud.
Fire and water of course do not mix, and some especially spectacular results occur when volcanic magma and gases are released under the sea. This is exactly what is predicted to occur when the next eruption takes place in our largest city, Auckland – a narrow peninsula riddled with approx 53 volcanic vent holes.
In this regard, here is an interesting comment from NZ’s GeoNet:
“The type of volcanic activity in Auckland means each eruption has occurred at a new location; these are coming from a single active ‘hot spot’ of magma about 100 km below the city. … Auckland’s existing volcanoes are unlikely to become active again, but the Auckland Volcanic Field itself is young and still active.”
For more details, click on the image.
Mixed media – sculpture and Bézier pen tool vector. Created in Macromedia Fireworks MX.
Geology and the passage of time…
The volcano that once existed here is sleeping now. The scorching fires have long since died away, and the battered earth has drawn a cloak across its scars.
The subterranean pipes that carried searing hot magma from the earth’s fiery core remain: embraced now by powerful, living roots that grip and swell around them.
Where once a crater stood, a wild tree grows. Tucked away in bolt-holes far below, by day the kiwi sleep.
Yes, there are 2 of them there.
Acrylic on Arches Dessein 120 gsm art paper, 19″x 25″.
For more details, prints and products, click on the images.
I’ve mentioned Mt Ngauruhoe a couple of times in the past. It’s been one of my favorite mountains for some years – an elegant cinder cone on our Central North Island Plateau.
Mt Ngauruhoe is exciting not only for its beautiful shape and its snowy mantle in winter, but also for the fact that it’s still an active volcano and one used to be able to rely on there being a plume of steam coming out of its crater pretty much all of the time.
Not the case with Ruapehu (which erupted properly in 1995-6), and not the case with Tongariro, which proved itself to be still active in 2012, to everyone’s surprise – though it has hot springs and fumaroles on its flank. Ngauruhoe, technically a vent of Mt Tongariro, kept everyone reminded that it was active. It last erupted in 1973-75, and I see DOC advises people not to go down inside the outer crater to the smaller main vent, because there’s a danger of being overcome by fumes. I would think so.
Ngauruhoe’s more recent claim to worldwide fame was its featuring in Peter Jackson’s ‘Lord Of The Rings’ movie series, with some digital manipulation, as Mount Doom.
A few weeks ago I sold one of my Ngauruhoe artworks on an iPhone case. It’s one that has never sold before (the original was not for sale), so I was really pleased. It’s a watercolor-style acrylic of the mountain, and like Peter Jackson, in the process of creation I think I manipulated it a bit – making the sides steeper than the actual 45deg slope of Ngauruhoe. And maybe ‘the look’ is also because I slanted the profile of the crater rim…
Near Ngauruhoe are two small volcanic lakes – Tama Lakes – set in the tussock-covered, pockmarked saddle between Ruapehu and Ngauruhoe. I was fortunate on one of my trips to the eastern (Rangipo) side of the plateau to pass by and capture a very cool mirror effect that the sides of these lakes make with the slope of the mountain above – if you are in absolutely the right position to see it – and I was.
I took photos and the image has stayed with me for years. Some of these very brief visions never leave us – they root deep down in our consciousness and quite literally become part of who we are, I think. A bit like the Harrier Hawk episode. As I mentioned before, this whole Central North Island Plateau has a huge pull on me: it’s almost uncanny.
Acrylic on paper. For more information about the work, click on the images.
As you’ll see from my previous post, this is ‘Home’, and the painting – acrylic on canvas card – has been nagging me for several years to get completed.
With all of these things, it doesn’t do to rush if the inspiration isn’t forthcoming. When the right thing isn’t suggesting itself, it’s best to leave well alone, because you can guarantee that in due course, it will.
Come to think of it, that’s a really good piece of advice for life generally – in other words, “Don’t Force It!”
The parakeets in the picture are kakariki – NZ red-crested parakeets, and putting them here is somewhat anachronistic, because we no longer have them up in the north. We do have Australian Rosella parakeets though, very brightly colored, noisy and not endemic. So I thought I’d use a bit of artistic licence…
The larger birds are one of my favorites – the kereru or NZ Native Pigeon. These had become rather scarce in the Far North due to human predation (even though they ARE protected) and the fact that a pair produces only one offspring a year – but I’m glad to say that since I’ve been letting the bush come back on my top paddocks, birdlife is increasing, and I’m seeing and hearing more kereru on the place all the time.
See also my earlier post and artwork ‘Flight of The Kukupa‘.
Being up on the volcanoes of the Central North Island Plateau gives one a feeling of being on top of the world.
All around the land falls away – one is literally on the top of the North Island and in good weather there is a bracing quality of light and clarity in the air that is hard to describe, except to say that it is unforgettable.
This is a view of a natural vent on the side of Mount Ruapehu just below the crater’s edge that was thought to keep the waters and mud in the lake from building pressure and breaching the lake walls.
However, on Christmas Eve 1953 part of the lake wall collapsed from the volume of water and mud behind it, and the resulting lahar swept away a rail bridge in the valley below minutes before the night train from Wellington to Auckland crossed the bridge – with disastrous results.
Our Geological Survey now has the lake closely monitored. Recently, another blowout (which had in fact been forecast) hit Dome Shelter just below the lake where two young men had stopped for the night, and they were lucky to escape with their lives.
As I painted this, I thought of what it must have been like for the early explorers to discover these wilderness places, with all their eerie ‘presence’ and power. In the final year of my law studies, part of my work involved searching titles in the Land Transfer Office – in the days of physical not computer searches, and I’d had the honour of holding in my hands some original survey field notebooks from NZ’s early surveyors, many of whom were also gifted artists.
So a painting that started off as an exploration of some fascinating topography, came to contain so much more.
Acrylic on canvas board 25 × 30in.
Just a brief post about another antecedent to “The Journey“.
Back when I lived in Hamilton, I painted a very loose watercolor-style acrylic of Mt Ruapehu from those photos I took at Mangaturuturu Hut – and looking at it again, I realise this actually formed an even closer antecedent to the Journey 1 painting in my previous post.
The picture sold very quickly, and I now have only a very small photo of it left, which I’ve had to work on somewhat to make it presentable for the net.
This was inspired by New Zealand’s magnificent Central North Island Plateau (National Park as we call it) – the location for 3 volcanoes, 2 of them active. Note: Mount Tongariro has proved me wrong on this, with a series of recent eruptions – Yay! The ‘inactive’ volcano – Mount Tongariro – has so many blown-out craters, it’s probably more like a bunch of volcanoes in its own right.
If you saw the “Lord of The Rings” series, one of our active volcanoes on this plateau – Mt Ngauruohoe – was featured as Mt Doom.
Ngauruhoe is actually a beautiful, symmetrical cone, regarded as a female in Maori tradition, and she looks anything but ‘doomful’ under normal conditions. She does, however, tend to have a plume of steam arising from her crater quite often – a sign that she is by no means as sweet-natured as she may look.
Anyway, the inspiration for this small ACEO painting was Mt Tongariro doing its undoubted best. Click on the image for larger size and more details …